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剧情简介 《九个月的爱情》是1976年的一部剧情片。由玛塔·梅萨罗什执导，莉莉·莫罗利、扬·诺维茨基、焦科·罗西奇等联袂主演。九个月的爱情，又名Kilenc hónap、Nine Months。Juli moves to the big city in order to take up a job in a factory, and on the very same day the foreman János asks her to marry him. Alas, communication between the two is rough going from the very start – their visions of how life together is supposed to look divide them. János can’t find it in his heart to accept Juli’s yearning for independence or her past. In raw images that portend an almost predetermined conclusion with their social-realist tone, the film shows Juli’s resistance with all of its consequences – she decides to have her baby all on her own. In the end, we witness the actual delivery of Juli’s (in reality of course actress Lili Monori’s) child, the first birth to be shown in a film in Europe. Nine Months was honoured with the Fipresci Prize (Parallel Sections) in Cannes in 1977. Since my first film « Cati », I have been obstinately inquiring about women with well defined personalities, able to make decisions in an independent manner, although at that time « feminism » was not really in vogue. It has now become so. The heroine of my film is one of these women. She is lucid, self-relying, and responsible. She tells the man who loves her that he must accept her as she is, with her past life, her experiences, her already formed personality. - Marta MESZAROS
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暂时被分裂 说：70年代瑞典艺术电影的政治化。女性导演的新崛起。玛尔塔 梅萨罗什。从事艺术电影工作的导演也同样受到这一时期政治气候的影响，许多卓有建树的导演尽力避免布莱希特式的极端疏离和风格化，吸纳政治题材的同时，仍然继续着战后现代主义的传统。影片思考了女性与社会力量，尤其是社会结构的关系，还探究了亲密关系，并在这两者之间达到平衡。对广阔的女性生活经验进行了戏剧化的表现，尤其专注于探讨母女关系。风格强调现实主义与作者评论，两者都通过女主角身体的特写镜头而被改变。无资源
张凸凸 说：是真正的女性电影啊 震撼住了 连情感的描绘都完全没有脱离现实 就算站在现代的角度来看 这依然是常见，但也时常让人难受的情感关系
爱哭的猫 说：真正的女性主义。在那个时代（包括现在）能作出这样选择的女性真的让人敬佩，最后生产的画面确实被震撼到了。
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