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剧情简介 《妖僧》是1963年的一部剧情片。由衣笠贞之助执导，市川雷藏、藤由纪子、万里昌代等联袂主演。妖僧，又名Yoso、Bronze Magician。Yoso is truly a lost classic, set in the Nara Era (710-794), from Kinugasa Teinosuke the same writer/director who gave us the recognized classic Gate of Hell (Jigokumon, 1952) & the milestone silent surrealist masterpiece A Page of Madness (Kurutta Ippeji, 1926).Yoso means "esoteric priest" which implies "sorcerer." For such a rarely screened film, it seems to have attracted a...(展开全部)Yoso is truly a lost classic, set in the Nara Era (710-794), from Kinugasa Teinosuke the same writer/director who gave us the recognized classic Gate of Hell (Jigokumon, 1952) & the milestone silent surrealist masterpiece A Page of Madness (Kurutta Ippeji, 1926).Yoso means "esoteric priest" which implies "sorcerer." For such a rarely screened film, it seems to have attracted an unwieldy number of English titles: The Sorcerer, Ghostly Priest, Bronze Magician, Phantom Priest, & on the subtitled 35 mm print the only fully apropos title, Priest & Empress, not to be confused with another Raizo Ichikawa film called The Priest & the Beauty (Anchin to Kyohima, 1960).Japan of the Nara Era had a sovereign female emperor or Mikado, Koken-Shotoku Tenno, who fell under the sway of a Buddhist priest named Dokyo. His influence over her proved so untoward that Empress Koken-Shotoku gave him titles which implied the imperial line might actually pass to him should the Empress die, despite that the imperial line had been preserved as a single dynasty back into prehistory.The crisis engendered by Dokyo led to the banning of women ever again becoming Mikado, a decision periodically revisited including in our own generation when there stood a strong threat of no authentic male heir.The film takes this historical reality & makes of it a believable though tough & very odd love story. Dokyo, who has indeed been called "the Japanese Rasputin," is here played by Raizo Ichikawa. Though Dokyo clearly uses the affections of the Empress (played by the ethereally beautiful Yukiko Fuji) for personal gain & power, his intense devotion to Shotoku is nevertheless no falsehood. When it comes time for his assassination, it is very much Rasputin-like, as he is damnably difficult to kill. It's portrayed quite horrifically but it remains simultaneously sorrowful because his love of Shotoku was no pose.
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鹿谷门虚空藏 说：市川雷藏蓄起长发，演绎一位名为妖僧实为圣僧的道镜。纵使拥有千年法力，但面对风雨飘摇的河山最终也无力回天，早已献于诸天神佛的魂灵又因所爱之人被拉回凡尘。讲述女天皇和得道高僧相遇相爱相伴而亡的故事，一面歌颂爱情的美好一面讽刺二人政治上的幼稚，苦命鸳鸯被两任太政大臣针对，最终落命。道镜最后做到了他想到的“世间安得双全法，不负如来不负卿。”随爱人而去往极乐。【寻得白首同心人，殁于月缺星移。谁曾渡世人情怯，又设欢聚别离。】
昙影 说：那个年代的日本电影对爱的演绎相当含蓄，女皇和道镜的感情戏内敛而温柔、平和，原本认为市川雷藏和若尾文子是绝配的我看完这部电影完全被藤由纪子震慑到了——她饰演的孝谦女皇简直是仙女本仙啊，非常端庄美丽，和道镜真的是一对璧人。影片最后也算是某种程度的HE啊
近似无限透明的蓝色 说：千年道行，最终也无力回天；看不穿情欲的魔障又能如何呢？反正女皇的江山早已风雨飘摇，王子谋反未遂，重臣也虎视眈眈。皇图霸业谈笑中，还是春宵最暖。妖僧不妖，反倒是女皇贪恋情爱，无心朝政。罢了罢了，天意难违，只是不枉人生陌路，多了把臂同游的追忆。
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